Apr 28 2009

The True Essence of Still Life Photography

Published by at 5:47 pm under General

It is believed that the origin of still life photography and Model Posing is entrenched within the romanticism of conventional mode of painting. If we shed light over the inherent meaning of still life, we can perceive it as a fundamental illustration of natural world in relation to a higher degree of scenic experience. While working with a canvas, a painter presents his dilemma, frustration, depression, enjoyment, aesthetic sense with the help of the brush and color. The same thing is true for a photographer, who uses his still life photography technique to express the inner feelings in order to make each and every photograph unique.

The Blend

In 17th century, still life painting raised to the level of fine art. These paintings were largely rich in their unique application of texture and vibrant colors along with radiant emphasis over multitude of shadowing. The scenes of the painting primarily focused on rich heritage of that time, illustrating the layers of food served on the table, packed with the costly wine, fine clothes, etc. The subjects of still life photography by that time were not abstract or complicated. The unique essence was derived by the special rendering and treatments given by the photographers. While Salvador Dali and Cezanne did much experimentation beyond the traditional limitation of painting, the periphery of still life photography was developed to a greater extent by Andre Kertesz and Man Ray.

A ‘Blank’ Canvas

Similar to the painting, when a photographer starts his still life photography, he actually initiates the process from a ‘blank’ canvas. There is no single scratch on it. Typically the still life photography of Leg Posing is developed through the process of illustrating the scene in an empty space, where textures, shapes, colors, and tones are applied to give the photography a desired character. In addition, photographers exploit the lighting arrangement to give the photography a higher dimension. The last but not the least, darkroom skills are essential to make the picture seeable to the spectators.

The Application

Quite prevalently, the elements used in still life photography of Female Model are not dynamic in nature. While learning the technique of still life photography, the learner knows about the in-depth aspect of camera view and camera perspective in addition to the lessons incorporating the segments like composition, use of light, color balance, contrast and concord of all ingredients. In other words, still life photography is an autonomous expression in which all of the ingredients combine to provide a unique contribution to the overall outcome. The application of still life photography is wide and varied including advertising, book covers, catalogue painting, brochure designing and many others. In fact, anything and every thing can be the subject of still life photography.

One response so far

One Response to “The True Essence of Still Life Photography”

  1. Marthaon 05 May 2009 at 5:56 pm

    Please forgive me for repeating this, but I put in the wrong e-mail address.

    I got interested in floral still life while doing macro photography. The bad thing I have found is that when I look for books dealing with still life photography most of what I get are books dealing with how to place the lights for lighting. There isn’t much out there on how to arrange and set up the objects for still life photography. If you look at many still life paintings in art magazines, books, illustrations, etc., you see many objects in the painting. When I tried that in a still life photographic image I was told I had made the photograph too much. Where was the main subject? So there seems to be a difference on what is acceptable in still life paintings and still life photographs. So, I have been learning on my own. I really would like some feed back on my still life images. (Please go to http://photographyhints.blogspot.com and let me know if I am doing okay.)

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